Zombi Holocaust
by Marino Girolami
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Our story begins in a hospital, where limbs are being stolen from corpses in the morgue, a mystery uncovered by the head doctor during autopsy class. They discover they’re being stolen by a vaguely Asian looking orderly from the Moloto archipelago. They try to arrest him, but he throws himself out of a window and then a dummy hits the ground and loses an arm. When they investigate the body, he has both arms. Curious. Could it be that a very poorly planned effect back fired and director Marino Girolami really needed to finish shooting in a hospital parking lot and didn’t have time for retakes?
Either way, Lori the head nurse is brought in by police for questioning. She's one of those remarkably convenient police witnesses who also has a degree in anthropology and not coincidentally had a dagger from Moloto stolen from her apartment recently. The questions go like this: “Do the people of Moloto engage in cannibalism?” “Yes, all primitive societies practice cannibalism, without exception. Oh, by the way I'm six years old and have the deductive reasoning powers of an antelope."
Turns out that a bunch of Moloto natives have moved to America and are now eating limbs left and right. So she and professional Roger Moore impersonator Dr. Peter Chandler (Ian McCulloch from Zombie) go to Moloto to sort out the flow of cannibals. Upon arrival, with the help of Moloto, their black guide (why is he named after the island?) they meet the cannibals, who eat most of their party save for Moloto, Chandler and Lori, and meet up with their contact Dr. Butcher, oh sorry, that's Dr. Obrero. He tells them to leave (naturally), despite their just having arrived and their receipt of no explanation as to why Obrero's still alive despite the island's swarm of cannibals.
When they make it to the rubber dingy set aside for them by Dr. Obrero, a zombie stalks them while Chandler tries to make the engine work. The second he sees the shadow of their attacker; he turns and caves the zombie’s head in with the boat engine. What if it had been Moloto or a helpless child? Anyway, they go back to confront Obrero, whom they discover is duping the natives and making zombies out of them, as doctors do. Then with the traitorous Moloto, Obrero kidnaps Chandler and gives Lori to the Cannibals, who make her their queen. You see, they have a thing for blondes, as Dr. Obrero pointlessly points out. Then comes the ridiculous, over-drawn, preposterous, logicless explanation for why Dr. Obrero is making zombies. Doesn’t really matter why, does it? You’re still making zombies, you twisted Italian bastard. Anyway, after some scenes of the natives painting flowers on Lori’s breasts, I guess she somehow communicates to the cannibals that they should kill Obrero, which they do but not after scuffling with a zombie in a stupid kind of way. Chandler and Lori escape, and do whatever Italians do after escaping from the clutches of cannibals or zombies. This sort of thing happens quite often, so I’m sure there’s some kind of ritual after escaping.
Ok, so….they rip of Cannibal Holocaust...they rip off Zombie…the zombies look like they're wearing halloween costumes…the script is beyond racist…the island couldn't look anymore like a soundstage…the gore is heedless…the characters are designed to be hated…the nudity goes on and on and on…what the fuck? Italians kill me, any film that takes place on an island has cannibals, zombies, mad doctors, wizards and anything else wierd and it's all explained as normal mysterious island behavior. I wonder if the reason this movie had so many titles was because there was no plot element or gore effect thicker than your average sheet of loose leaf. Oy. Not much I can say for this film, except that clearly someone was watching all of these miserable films at the time, otherwise after this and Cannibal Ferox there wouldn’t have been any more cannibal movies.
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